Oct. 3rd, 2009

mojosmom: (Hyde Park)
I wandered over to 61st St. Farmers' Market today, because I wanted to see the chef demo (seared flank steak with a Dijon/caper/white wine sauce). There was a vaguely familiar-looking young woman watching the demo, and I realized that it was Stephanie Izard, winner of the fourth season of Top Chef. Later, a former United States Senator showed up (she lives in the neighborhood).

Then I drove by 57th Street Books to pick up Audrey Niffenegger's new book, since I wasn't able to get to either of the two readings she did this week. While I was there, I picked up Granta's Chicago issue, and found a book about J.M.W. Turner by Peter Ackroyd on the sale rack.

Now I am taking a break from putting my summer clothes away and taking my fall/winter things out. I am also doing a ruthless closet clean-out and am planning to take a bunch of stuff up to the Brown Elephant tomorrow.

I've done a lot of theatre this week. Last Sunday was the first play in the Court Theatre's season, August Wilson's Ma Rainey's Black Bottom. Excellently done, with a riveting performance by James T. Alfred as Levee. A.C. Smith, one of my favorite local actors, was also in it. I spent a good deal of time coveting the shoes worn by Dussie Mae, high-heeled purple suede with black patent leather trim. (Similar to these or these.)

Wednesday and Thursday were plays at the Goodman Theatre. One of the people I go with works for the FAA, and travels a lot, so we had to exchange our regular tickets and the only thing that worked for everyone was to go two nights in a row. First up was Animal Crackers, based on the stage/screen Marx Brothers hit. Very funny, if just a teeny bit too long. Thursday we saw Stoop Stories, a one woman show written and performed by Dael Orlandersmith. She revisits the Harlem of her youth, and becomes several characters, from a concentration camp survivor telling of his meeting with Billie Holiday to a poet/junkie, from a Puerto Rican punk to an old man down in the Village to hear Nina Simone. It was a very impressive performance; Orlandersmith is a marvelous storyteller.

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